Buy “Direct Sound EX29 Extreme Isolation Professional Headphones – White Musical Instruments” Online

Direct Sound EX29 Extreme Isolation Professional Headphones - White

I am using isolation headphones for a different need than some: vocal recording. I was looking into a solution for headphone bleed when recording vocals and saw the great and easy recommendation of using isolation headphones when recording, as opposed to open-back or mixing headphones for the performer. The #1 headphone recommendation was the EX29 across forums and blogs using the approach, but after doing some research, I really wondered if there was any reason to purchase the EX29’s over something like the KAT KTUI26’s, which are considerably less expensive?After doing a few rounds of testing and wearing both headphones, I’ve found that the EX29’s are very comfortable to wear for long periods of time. But outside of that observation, the EX29’s didn’t do any better than the KAT KTUI26’s in terms of eliminating headphone bleed. I opted to save my money and returned the EX29’s. That’s not to say they’re bad headphones at all, for their standard use case. Drummers who need isolation headphones that are comfortable to wear, especially if you have a wider head, likely will appreciate the comfort of these headphones. If you’re strictly using isolation headphones for recording to resolve headphone bleed issues, you may want to take a look at the KTUI26 like I did. Check it out!

To perform your best, you need to hear your best. That’s why we designed the EX-29 headphones with 29 dB of passive isolation. To help you keep the outside world out – and your music in, in all its purity. And to stand up to studio- and performance-level extremes. No batteries required.

Direct Sound EX29 Extreme Isolation Professional Headphones – White Review

they work well for sound isolation, but the construction quality is bare minimum and feels like it should cost about $30 at the most. usefulness: – sound isolation: pretty good, dogs can be barking in the house and it sounds like a very muffled distant bark – speaker quality: "ok". limited sound range and quality compared to better headphones. – comfort: "ok". but for any brand that cups your ears, ears get hot/sweaty with prolonged use (perhaps cloth between the ears/headphone could prolong endurance? I haven’t tried it yet) – very cleanable: all the surfaces are plastic or rubber except the speaker cloth, so if you’re in an industrial work environment, that’s a plus – each ear cup has a wire coming off of it, which is kind of in the way and annoying"cheapness" aspects: – there is no "left/right" wording. the inside of one ear is red and the other is black. the red is the right. – there is no wording or branding on it at all – simple clunky injection moldedoverall I’d say:if you’re going to spend more than 30-40 on headphones, go with something better. -Read Reviews-

Dynamic closed back headphones with closed back drivers

Straight stereo 1/8″ (3.5 mm) gold-plated with screw-on 1/4″ (6.3 mm) gold-plated adapter

IncrediFlex padded, fully adjustable headband; foldable for storage

Environmentally responsible natural passive isolation no batteries required

I use these for tracking vocals, acoustic guitar, drums, and just about anything where microphones are involved. The isolation they offer is fantastic for drumming without ruining your hearing and has completely eliminated the problems I was having with the monitor mix bleeding back into mics, especially when tracking vocals. They are also great for field audio recording for video, as the isolation lets you hear only what the mic(s) are picking up. I simply cannot express, to a full enough extent, how pleased I am with these – I’m actually about to order a second pair, as I find myself carrying these with me wherever I go. There is only one potential downside to these cans: they are extremely warm-sounding. The high frequency response simply isn’t there, so they don’t give you a great idea of the tonal quality of what you’re monitoring. I find this pleasant enough for casual listening, and it isn’t a problem for general tracking or production monitoring purposes, but (not that you should be mixing in headphones anyway) you might not want to use these to even listen back to material you’ve just tracked – the urge to EQ will be unbearable.

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